I hadn’t seen or talked to Luke in months, but I came across this portrait from last year on my hard drive. I always liked it but it hasn’t (yet) found a home on my Web site. And maybe it never will.
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Three frames shot at Bay View’s Club Garibaldi before and after the Dim Suns took the stage (see this earlier post). In my most personal work — literally the shooting I do when I bring my camera along for the ride — I often find myself capturing fragmentary photos that frame some of what’s happening and hint at the rest.
I photographed pizza at Dom & Phil’s for the Bay View Compass‘ March edition.
My wife, Courtney, and I took a much needed vacation on the Caribbean island St. Lucia the first week of March. The goal was relaxation, so I resisted the urge to shoot, shoot, shoot all the scenery. On our return flight I couldn’t hold back any longer, so I whipped out my iPhone to snap a few scenes.
Snake cloud west of Saint Lucia.
Wing over icy Lake Michigan shoreline as we leave Michigan and approach Wisconsin.
Close-up of Courtney’s jeans.
This is my favorite frame from a February assignment for The Daily Reporter, a Milwaukee construction industry paper. I was hired to photograph work at an M&I Bank branch in New Berlin. Here, project leaders discuss their next steps. All the inky blackness prevented this one from running in newsprint, but it’s included in a Web slide show.
Two things…
I’ve thought a lot over the last few months about how to showcase my newest personal and commissioned work, and I decided to add a “recent work” section to www.adamryanmorris.com. It’s now the first listing in the “portfolios” menu.
Also, I’ve added lots of new and previously unseen work to the site, including these portfolios: moments, places, wire on white, Thomas & Murray (sunset street ’scapes from an intersection) and fashion (that’s “low-key fashion of a sort,” not high fashion).